My work explores the relationship between Critical theory and emotional memories.

With influences as diverse as Wittgenstein and Roy Lichtenstein, new tensions are generated from both simple and complex dialogues.

During my time at Pratt, I became fascinated by the traditional understanding of the universe. What starts out as yearning soon becomes debased into a manifesto of temptation, leaving only a sense of decadence and the unlikelihood of a new understanding.

As intermittent forms become frozen through studious and repetitive practice, the viewer is left with a tribute to the edges of our culture.